Pixelmator user manual pdf free download
General The General tab includes Welcome Screen behavior settings, allows you to set продолжить image content, and settings for Smart Palette Hide and Action Tooltips features. Print length. If you wish to hide or show all the palettes посетить страницу источник once, press Tab. A list of Pixelmator tools showing the tool icon, name, description, and keyboard shortcut is pixelmator user manual pdf free download below. Let Pixelmator Pro replicate a dowjload you love.
Pixelmator user manual pdf free download
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Pixelmator user manual pdf free download. Learning Pixelmator
Instantly fill any layer with a color by dragging and dropping from the new color picker in the toolbar. Automatically paint brush strokes along paths, layers, and selections using any brush in your collection. The redesigned Type tool now includes a text size slider, advanced spacing options, and other improvements. What’s new in Pixelmator Pro.
Many of the most important adjustments can be applied automatically, using a machine learning algorithm trained on 20 million photos. Magically remove unwanted objects, clone parts of your photos, lighten or darken precise areas, and do much more. All by using simple brushstrokes to retouch just the areas you want. So all your shots look picture-perfect. Pixelmator Pro supports RAW photos from over of the most popular digital cameras.
See the full list of adjustments. Thanks to its advanced algorithm, the Quick Selection tool lets you easily select even the most challenging objects and areas with just a few brushstrokes. The Magnetic Selection Tool makes complex selections effortless. Simply trace the edges of any object and watch an accurate selection snap around it automatically.
Use the Color Selection Tool to quickly and easily select similarly colored parts of your image. Make rectangular or rounded selections, select rows and columns, draw freehand selections, and more.
See full tech specs. Pixelmator Pro runs natively on Macs powered by the Apple M1 chip, taking full advantage of its incredible performance.
Using Metal, Pixelmator Pro harnesses the full graphics processing power of every Mac. The groundbreaking machine learning features in Pixelmator Pro are integrated using Core ML, which brings the best possible ML processing performance on Mac.
Swift is a modern programming language built for efficiency, reliability, and top-notch performance. Place an Image into Your Composition To place an image to your composition: 1. Open the Pixelmator image that is the destination for the picture. Drag and drop the image you want to place from Finder onto the opened image window.
The placed image appears as a new layer in your composition that you can edit as you would any other layer in Pixelmator. Tip: You can place images from nearly anywhere in your Mac to your composition: directly from other applications that support drag and drop such as iPhoto, from Finder, even from other Pixelmator documents.
Open the Pixelmator image that is the destination for the placed layer. Open the image that has a layer that you want to place in the destination image.
Drag and drop a layer from the layers palette to the destination image. Drag and drop any of the images in iPhoto or Pictures folder as layers in your Pixelmator composition.
Tip: You can set Photo Browser source view to show iPhoto albums or Pictures folder in a pop-up menu or a list by dragging the split line between source list and photo thumbnails view up or down. Locate your picture by scrolling through photo thumbnails in the Photo Browser or by using the search field to find that specific picture.
Drag the photo thumbnail to the document window in Pixelmator where you want to place that picture. Tip: You can use the Photo Browser palette to open an image. Simply look for your image in Photo Browser and instead of dragging its thumbnail to your composition, double-click it to open it in Pixelmator. The default file format for Pixelmator is PXM. Getting File Information Most images have basic information such as height, width, file format, resolution, color space, attached ColorSync profile, keywords, and more attached to them.
Such information is called Metadata. For more information about the opened image, click the Details tab. Exif information includes the capture time, camera settings for the photo exposure, ISO, even GPS coordinates if such a feature is available. IPTC data is usually added by the photographer. File Info sheet appears. Assigning Keywords to an Image You can also assign keywords to your image, and since Pixelmator comes with a built-in Spotlight plug-in, you can perform searches using those keywords.
To assign keywords to an image: 1. Select the Keywords tab. It is the best way to save and store your compositions for further editing since it offers full support for Pixelmator features.
For example, layers, type layers, masks, blending modes and opacity settings information is stored within the PXM file and is not lost when the document is saved. However, there is one disadvantage to using the PXM format. Since PXM is quite a new file format, it is not supported by other applications. There are other file formats available in Pixelmator that you can save in for compatibility. Tip: A Quick Look plug-in for the Mac OS X that comes with Pixelmator makes it possible to quickly view almost any of the image file formats supported by Pixelmator without having to launch the application.
The PSD format stores an image with support for most features available in Adobe. Photoshop including layers, transparency, type, blending modes and some other information. Pixelmator can open and save PSD documents. However, not all of the features of PSD are supported by Pixelmator.
Features of a PSD file format that Pixelmator supports are bitmap layer information and blending settings and guides. Adjustment layers, layer effects and vector layers are not supported at this time. When you open such a file in Pixelmator, the file will be converted to RGB color mode since that is the only mode used by Pixelmator.
For more information about color, color modes see Chapter 4 in this manual. However, some TIFF documents may contain layers. The amount of compression used can vary. Less compression results in a higher-quality image. Pixelmator offers full support for opening JPEG images. PNG files are patentand-royalty-free. Pixelmator offers full support for opening PNG images. Note: For a complete list and description of file formats supported by Pixelmator, see Chapter Pixelmator Quick Look plug-in allows viewing of all the images supported by Pixelmator, including the default Pixelmator file format.
You can view metadata information and edit keywords using the File Info sheet in Pixelmator. Spotlight plug-in will work on your Mac as soon as Pixelmator is on your Mac. There is no need to do any additional installations.
Pixelmator features a simple and elegant collection of intuitive color management and color correction tools. Using these tools, you can fine-tune hue, saturation, and luminance; adjust exposure, color levels, brightness and contrast; use Auto Enhance to dramatically improve less-than-perfect images with one click; even use Curves, Color Balance, Channel Mixer and much more.
Chapter 4. Chapter 4: Color in Pixelmator Pixelmator features the very easy to use Color Management sheet that you can use to easily assign color pofiles to your images or match your images to color profiles. Use Apple Color Picker to select colors from anywhere on your desktop and then add those to your Swatches palette in Pixelmator. This chapter explains color and color management in Pixelmator. It also provides an introduction to choosing colors.
Color Model Color model describes how colors in images are stored and processed. Pixelmator supports RGB color model, which means one dot in an image is described by three colors – red, green and blue. The RGB color model is universal since it is used in computer displays or for storing digital photos. Though Pixelmator understands images saved using these color models, it will convert them to RGB when opening a document. That is not true.
By being a naturally narrow color model for printing devices, CMYK has less image editing capabilities and it usually produces a poorer quality. Bit Depth Bit depth shows the number of tonal values or shades of a color each channel in a pixel is capable of displaying. Pixelmator currently supports 8-bit depth images. That is 24 bits of information for each pixel or an ability to display almost 17 million colors while the human eye is capable of understanding 10 million colors.
So that is more than enough. Other Bit Depths: Other bit depths include bit and bit. These two depths are usually used by profesionals profesional photography, medicine, biology, astronomy, movie industry, HDR processing. When opening bit or bit images, Pixelmator will convert them to 8-bit depth. Color Management Pixelmator supports Apple ColorSync technology to maintain a consistent color among devices.
You can choose a ColorSync profile for an image so that its colors are matched to your device, or you can change your image so that it matches a specific ColorSync profile. But if it happens that an image has incorrect color management settings or an image is supposed to work in an other platform, Pixelmator has all the tools you need to fix that.
It is recommended for print, display and sharing. Color Profiles: Color profiles is a small document attached to an image that describes how each color in an image should be understood by other devices. Colors in image editing applications such as Pixelmator are displayed after they colors are processed through one of the color profiles.
Assign Profile If you decide to change the color management settings for your image, use the Color Management sheet in Pixelmator. Profile is not assigned. This setting is not recommended since images without profiles will look different on other devices. Please note that you should use these options only if you think that the currently assigned profile is not appropriate for your image since any color profile changes could cause dramatic image color changes.
Convert Pixels to Selected Profile If you would like to change the color profile and at the same time keep the resulting colors as close to the original as possible, use the Convert pixels to selected profile option. It is useful for preparing web images. This setting is not recommended since images without a profile will look different on other devices.
Select the Convert pixels to selected profile checkbox. Choose Colors in the Tools Palette As you may have noticed already, there are two color boxes in the Tools palette. The box that is fully visible contains the foreground color while the box behind the foreground color contains background color.
To change the foreground or background color, click the foreground or background color box in the Tools palette you want to change. You can select the new foreground or background color using the Eyedropper Tool, the Colors palette, or the Swatches and Scratch palettes. Choose Colors With the Eyedropper Tool The Eyedropper Tool samples color from the active image to designate a new foreground or background color.
Foreground Color: used for painting, filling, stroking etc.. To select a new foreground color, click in the image. Foreground color is used nearly everywhere in Pixelmator: for painting, filling, stroking and more. Both the foreground and background color are used by some filters. Select Background Color: To select a new background color instead of foreground color with the Eyedropper tool, Option click in the image. To choose colors with the Colors palette: 1.
To do that, choose Point Sample, 3 by 3 Average, 5 by 5 Average or 11 by 11 Average in the sample size pop-up menu in the Eyedropper Tool Options palette. Click anywhere in the color wheel.
The selected color is displayed in the color box at the top of the Colors palette. To make the color lighter or darker, drag the slider on the right side of the Colors palette.
To make the color more transparent, drag the Opacity slider to the left or enter a percentage value in the Opacity field. To use the swatches table, open it by dragging the handle at the bottom of the Colors palette. Save a color in the swatches table by dragging a color from the color box to the swatches table. To remove a color from the swatches table, drag a blank square to the color you want to remove.
To match the color of another item on the screen, click the search icon to the left of the color box in the Colors palette. Click the item on the screen whose color you want to match.
The color appears in the color box. Select the item you want to color in the document window, and then drag the color from the color box to the item. Swatches Palette The Swatches palette in Pixelmator stores colors that you use often. You can add or delete colors from the palette. To select color from the Scratch palette: 1. Click anywhere on the Scratch palette to choose a new foreground color. To select color from the Swatches palette, click on any swatch in the Swatches palette to choose a new foreground color.
Select color with the Eyedropper tool or Apple Colors Palette to choose the foreground color you would like to add to the Swatches palette. Click the plus button in the Swatches palette to add the foreground color to the Swatches palette. To remove color from the Swatches palette: 1. Move your mouse pointer over the color you want to remove in the Swatches palette. Click the right mouse button or Control – click so Swatches contextual menu will appear and choose Remove Swatch.
Chapter 5: Making Color Adjustments Pixelmator features a simple and elegant collection of intuitive color correction tools. Using these tools, you can finetune hue, saturation, and luminance; adjust exposure, color levels, brightness and contrast; use Auto Enhance to dramatically improve less-than-perfect images with one click; even use Curves, Color Balance, Channel Mixer and much more.
This chapter provides information about applying color adjustments to images, layers or selections in Pixelmator. Color Adjustment Tools in Pixelmator Pixelmator features a simple and elegant collection of intuitive color correction tools that help you to improve the appearance of your images, selections or layers. You can make color adjustments using the color adjustment tools in the Image menu.
The Auto Enhance adjustment analyzes the image, layer or selection and applies an adjustment to it based on that analysis. Use posterize to remap red, green, and blue color components to the number of brightness values you specify for each color component. To add any of the color adjustment tools: Select a layer, or if you wish to add the adjustment to a portion of your image, make a selection using the selection tools.
Choose any of the adjustment tools from the Image menu. Each adjustment contains individual parameters, for which you specify a range of values. Use the adjustment controls such as sliders or wheels to change parameter values. After you are done, click OK to accept changes or Cancel to reject changes. Auto Enhance The Auto Enhance adjustment analyzes the image, layer or selection and applies an adjustment to it based on that analysis.
The Auto Enhance usually brightens the photo or adjusts its contrast levels based on preset criteria. Auto Enhance is good for quick image improvements. Since the Auto Enhance edits your image instantly, no palette will appear, only Action Tooltip if it is turned on in the Pixelmator Preferences window.
The formula includes converting image to Lab color space and adjusting lightness and, if necessary, color channels. Example On the right is an example of a picture before Auto Enhance was added and the same picture after Auto Enhance was added:. Levels Use Levels to set the tonal values of shadows, midtones, and highlights in an image, selection or layer. It is useful for adjusting the brightness of an image and color correction.
To adjust levels in an image: 1. Drag the Black Levels and White Levels sliders to where they touch the outside of the histogram. This will result in more defined blacks and highlight values as well as increase overall contrast. Histogram As you may have noticed already, the Levels tool includes a histogram.
A histogram is a graph that displays relative brightness Histogram: a graph that displays relative brightness in an image.. Drag the Midtone Levels slider to adjust the brightness values of the midtone while limiting the brightening effect in the black and white points.
Click OK or Cancel to accept or reject changes. The area under the graph represents all the pixels in the image. From left to right, the histogram describes the range of shadows dark pixels , midtones gray pixels , and highlights bright pixels in the image. The shape of the histogram depends on the tonality of the scene and the exposure. Histogram is a good way to evaluate exposural though it does not work for all images. Sometimes a series of peaks on the left, the darker side of the histogram, indicates an underexposed image that consists mainly of dark pixels.
In some cases, a series of peaks in the center of the histogram indicates a balanced exposure since a majority of the pixels are concentrated within the midtones of the histogram. An overexposed image will usualy have a series of peaks on the brighter, right side of the histogram. However, for some images, such as images shot at night or images of snow, interpreting the histogram to evaluate exposure is not an option since those naturally have a different histogram that is correct.
Curves Use Curves to adjust the entire tonal range of an image. Also use Curves to make precise adjustments to individual color channels in an image. The horizontal axis in the Curves dialog box represents the current values of the pixels in an image or a selected part of an image. Adjust a curve by adding and moving points and adjusting the shape of the curve.
Add a point by clicking directly on the curve. To adjust the shape of the curve, click a point and drag the curve until the tone and color look correct. To adjust the color balance of the image, select the channel by cliking on its icon at the top of the curves palette.
The default curve is a straight line with an angle of 45 degrees. For each pixel, the input value is the same as the output value. Changes in the position of the lower left will affect the dark values in your image.
Changes to the center will affect the middle values most, and changes in the upper right will affect the lightest values in your image. About Histograms: The area under the graph represents all the pixels in the image. Using a histogram is a good way to evaluate exposure, but it does not work for all images. Color Balance Use the Color Balance tool to change the overall mixture of colors in an image for color correction.
To use Color Balance: 1. Select the tonal range that you want to edit whether it is shadows, midtones or highlights. Drag the sliders to add color to one color by subtracting from another. Before Color Balance adjustment. Preserved Luminosity: When using Color Balance tool, the luminosity is always preserved to maintain the tonal balance in the image. Example On the right is an example of a picture before Color Balance was added and the same picture after Color Balance was added:. Brightness and Contrast Use the Brightness and Constrast tool in Pixelmator to adjust brightness and contrast in an image.
The Brightness and Contrast tool makes simple adjustments to the tonal range of an image. Drag the sliders to adjust the brightness and contrast. Example On the right is an example of a picture before Brightness and Constrast was added and the same picture after Brightness and Constrast was added:. Use the Hue and Saturation tool to adjust the hue, saturation, and lightness of a specific color in an image or all colors in an image.
Hue and Saturation is mainly used for image color correction. Further, adjusting the handles tightens or loosens the color tones. To adjust the Saturation, drag the slider to the right to increase the saturation or to the left to decrease it. Choose which color to adjust in the colors tab. The Hue and Saturation tool can either be applied to the whole image or a restricted palette, such as only the red tones.
To adjust the whole image, leave the first tab selected. To adjust a particular tone, for instance the reds, select the red tab.
Drag the Lightness slider to the right to increase lightness or the left to decrease lightness. Adjust the Range of Colors To specify what range of colors to adjust with the Hue and Saturation tool, in the Hue and Saturation palette choose a color from the colors tab and spin the range dots around the color wheel. The more saturated area on the color wheel is included in the editable range of colors, while the desaturated area of the color wheel is not included and will not be edited.
Desaturate Use the Desaturate command to convert your image, selection or layer to a black and white image. Note: Desaturate command has exactly the same effect as setting the Saturation in the Hue and Saturation tool to – Example Below is an example of Desaturate in action. Colorize Use the Colorize adjustment to colorize an image for a monotone effect. To use Colorize adjustment: 1. Spin the dot around the color wheel to choose whichever color you want your image to turn into.
Drag the saturation slider to adjust the level of saturation. Moving the slider will adjust the lightness of the pixels. Before Colorize adjustment. Lightness control is crucial when you need to colorize black or white pixels. Since black and white cannot hold any shades of color, the lightness slider needs to be adjusted to bring in color. Example On the right is an example of a picture before Colorize was added and the same picture after Colorize was added: After Colorize adjustment.
Replace Color Use Replace Color adjustment to turn any selected color to another. To use Replace Color: 1. By default, the color box will feature the foreground color selected in your Pixelmator toolbox. Adjust the radius slider. The radius lets you specify how wide the colors can extend from the base color selected above. A narrow radius will switch only a limited palette, while a high radius will replace more color variants. A unique feature of the radius control is that while adjusting it will show you a preview of range of colors that are to be affected by Replace Color tool.
Portions of an image that appear white in a preview are in the affected range, while the black pixels are not going to be touched by any changes. Use the Saturation and Lightness sliders to adjust the saturation and lightness of the pixels. Channel Mixer Use Channel Mixer adjustment to create sepia tone or other tinted images or creative color adjustments by mixing color channels. To use the Channel Mixer tool: 1.
In the Channel Mixer palette, select the color channel in which to blend one or more existing channels. Example On the right is an example of a picture before Channel Mixer was added and the same picture after Channel Mixer was added:. Exposure Use Exposure adjustment to adjust the exposure setting for tonal range of an image. To use the Exposure tool: 1.
Drag the exposure slider to the right to increase exposure or drag it to the left to decrease it. Example On the right is an example of a picture before Exposure was added and the same picture after Exposure was added:. Invert Use Invert to invert colors in an image. To invert colors: 1. Example On the right is an example of a picture before Invert was added and the same picture after Invert was added:.
Threshold Use Threshold adjustment to convert image, selection or layer to high-contrast, black-and-white pixels. To use the Threshold tool: 1. Drag the slider to set the threshold level you want, and click OK.
Example On the right is an example of a picture before Threshold was added and the same picture after Threshold was added:. Posterize Use Posterize adjustment to remap red, green, and blue color components to the number of brightness values you specify for each color component.
To use the Posterize tool: 1. Drag the slider to specify the number of tonal levels. Example On the right is an example of a picture before Posterize was added and the same picture after Posterize was added:.
That means you can edit and apply special effects to portions of your pictures, remove unwanted objects, or even cut out objects from one picture to put on another. Chapter 6. Chapter 6: Making Selections Someone who is editing images must be able to select the right shapes, portions or objects in images.
This chapter provides information about selection tools in Pixelmator. Selecting Selecting is a very important part of image editing since you can select any part of your images and edit that part by applying color adjustments, special effects and filters, fill, stroke, transform, move, delete, duplicate or copy and paste the selected part as a new layer to other images.
You can also use commands in the Edit menu to select all pixels, to deselect, reselect, invert, cut, copy or to select a range of colors within an entire image or even load selections from layers.
Selection isolates selected parts of your image and after they are edited unselected areas are left untouched. For easier and more precise selecting, a Quick Mask editing mode is available in Pixelmator that allows you to temporarily show your selection as a colored overlay and use any of the painting tools or filters to modify it.
The Refine Selection option helps you to enhance your selections by modifying its smoothness, feathered aspects and size. Pixelmator has every tool you need to easily make a precise selection. Select Color The Select Color tool allows you to select a specified color or a range of colors in an image. To use the Select Color tool: 1. Choose the color you would like to select by clicking on the Color swatch button and using the Colors palette to choose.
Click the OK button to accept changes, Cancel to reject changes or the Reset button to revert to the original selection. Tip: You may use the Select Color tool to select a specified color not only within an entire image but also within an existing selection. Make a selection using any of the selection tools and then use the Select Color tool to select color range within an existing selection.
Both tools work in a similar way:. Tip: You can also point your mouse cursor on an image so that an Eyedropper tool will appear.
Use the Eyedropper to quickly select color you want by clicking on the image. Select prefered color range with the radius slider. While moving, any pixels that show white are in the selection, while the black pixels will not be added into the selection.
To draw a selection from its center, hold down the Option key after you begin dragging. Select a Marquee Tool in the Tools palette. Choose a selection mode in the Tool Options palette:. If selecting with the Elliptical Marquee Tool, check the Anti-alias setting for smoothing the edges of a selection. For jagged but precise edges, uncheck the Anti-alias checkbox.
Check the Anti-alias setting for smoothing the edges of a selection. Check the Anti-alias setting for smoother edges of a selection. For jagged, but precise edges, uncheck the Anti-alias checkbox. To use the Polygonal Lasso Tool: 1. Select the Lasso Tool in the Tools palette or press L on your keyboard and choose Polygonal tool type in the Tool Options palette or press the L key again.
To cancel drawing the selection using the Polygonal Lasso Tool, press the Escape key on your keyboard. To use the Magic Wand: 1. Check the Sample All Layers checkbox if you want to make a selection from all visible layers. With Sample All Layers unchecked, it will only make a selection from the currently selected layer.
Click the color you want to select in an image and slowly drag over it. As you drag, the colored area selection grows to include the contiguous area that uses similar colors.
You can. Chapter 7: Adjusting Selections Pixelmator allows you to easily enhance your selections simply by moving, inverting, transforming, adding to or subtracting from them or using the Refine Selection Tool. In addition, for more precision, selections can be edited in the Quick Mask mode.
Enhancing Selections Once you have made a selection, you can improve it by moving, inverting, adding to the selection or subtracting from the selection. You can also use the Refine Selection tool to quickly smooth, feather and change the size of the selection. For more precise selecting, you can use the Quick Mask mode.
Move a Selection Border To move a selection border, position the pointer of the selected selection tool inside the selection border and drag to move the border. Tip: To move the selection by 1 pixel, use the arrow keys on your keyboard. To move the selection by 10 pixels, hold down the Shift key and use the arrow keys.
Tip: Inverting a selection is very useful when cutting out objects that are placed on a solid color background. Then you can copy or cut your object. There is also a Magic Eraser tool that can help you remove solid color background instantly by just clicking and dragging on it.
Notice that the minus sign appears next to the mouse cursor so you know what the current selection mode is. Add To Notice that a plus sign appears next to the mouse cursor so you always know what the current selection mode is.
Transform Selection In addition to moving, inverting, addting to or subtracting from a selection border, you can also apply transformations to your selection. To transform a selection: 1. Make a selection. Scale and rotate your selection using the Transform controls. For more information about Transforming, see Chapter 19 in this manual.
Refine Selection Use the Refine Selection tool to make a smoother outline, to soften edges of a selection or even change the size of a selection.
To use the Refine Selection: 1. Make a selection using any of the selection tools. Adjust the Smooth slider to create a smoother outline, adjust the Feather slider to soften the edges of a selection, and if needed, adjust the Size slider to shrink or enlarge your selection edges. Note: The preview that you see when using the Refine Selection tool is in a Quick Mask mode; red overlay area is not included within your selection while the clearly seen area is in your selection.
Quick Mask mode helps you to better see how smooth the edges of your selection are. In the Quick Mask mode selection is converted to a temporary mask for easier editing. The Quick Mask appears as a red colored overlay and can be edited using any of the tools available in Pixelmator. For example, you can feather your selection by adding Gaussian Blur to selection in the Quick Mask mode. Use any of the selection tools to select the part of your image you would like to edit.
Click the Quick Mask mode button in the Tools palette or press Q on your keyboard. A red overlay appears which protects the area outside the selection. Note: Painting in black in Quick Mask mode will deselect painted areas while painting in white will select more of an image.
Painting with other colors in Quick Mask mode will create a semitransparent areas which are useful for feathering the selection. Semitransparent areas may not be visible once you exit the Quick Mask mode, but they are available. Click the Normal mode button in the Tools palette to off the Quick Mask mode and see your selection. You can now make any further adjustments to your image.
Moving, Copying and Deleting Selected Areas Once you have made a selection, you can move, copy, delete, extract, add filters or adjust color of the area that is in the selection. Moving Selected Areas To move a selected area: 1. Select the Move Tool or press V on your keyboard. Copy a selection while dragging: To copy a selected area while dragging it, hold down the Option key and drag.
Move the mouse pointer inside the selection border and drag the selection area to a new position. Copying and Pasting Selected Areas Use the Copy and Paste commands to copy selected areas to other Pixelmator documents or even other applications. To copy a selected area: 1.
Select the area you want to copy using any of the selection tools. Copy between applications: You can use Copy, Cut, or Paste commands to copy selected areas from Pixelmator images and paste them into other applications i. Deleting Selected Areas You can use any of the selection tools to select objects in your images that you want to delete or cut. Painting tools in Pixelmator offer you the ability to use different brush sizes, shapes, advanced settings, and blending modes when painting. You can paint with Pixelmator as you would traditionally, play with beautiful gradients, or fill colors with other ones.
With its advanced retouching tools, you can easily blur hard edges or sharpen fuzzy areas of your image. Or you can paint with a sample of an image to remove wrinkles from faces or scratches in your photos.
Chapter 9. Chapter 9: Painting Tools Painting tools in Pixelmator offer you the ability to use different brush sizes, shapes, advanced brush settings, and blending modes when painting. You can paint with Pixelmator as you would traditionally, play with beautiful gradients or fill colors with other ones.
The difference between the Pencil and Brush is that the Brush tool creates soft strokes of colors while the Pencil tool creates hardedged lines. Choose a foreground color. For more info about choosing colors, see Chapter 4. Select the Brush tool B to paint soft strokes or the Pencil tool P to paint hard-edged ones. Choose Brush presets from the Brushes palette. For more info about the Brush presets and Brushes palette, see Chapter For more information about the blending modes, see Chapter Using the Opacity setting in the Tool Options palette, you can set the transparency of the color you apply.
To set other percentages of opacity, adjust the opacity slider in the Pencil or Brush Tool Options palette. For more information about the Blending Modes see Chapter Drag in an image to paint. Draw a straight line: To draw a straight line, click a starting point in the image; then Shift click an ending point. You can also drag in an image with the Shift key pressed to draw a straight line. Eraser Tool The Eraser tool works just like a traditional drawing tool. Use Eraser tool to erase your images to transparency.
Erase with the Eraser Tool To erase to transparency with the Eraser tool: 1. Select the Eraser tool E. Choose a Brush preset from the Brushes palette.
Choose a mode for the Eraser tool. Brush mode will erase using brush strokes, while Pencil tool mode will erase with hard-edged strokes. Drag an area in the image you want to erase.
Erase a straight line: To erase a straight line, click a starting point in the image, then Shift click an ending point. You can also drag in an image with the Shift key pressed to erase a straight line.
Magic Eraser tool is different from that Eraser tool and is explained in later chapters in this manual. Select the Paint Bucket tool N. Choose a foreground color since Paint Bucket fills using that color.
For more information about the blending modes see Chapter Set the Opacity in the Tool Options palette by adjusting the Opacity slider. Check the Anti-alias checkbox in the Tool Options palette so that edges of the fill area are smooth. If the checkbox is unchecked, there will be hard edges around the fill area. Click the color in the image you want to fill and then slowly drag over it. As you drag, the filled area grows to include the contiguous area that has similar colors.
You can control how much of the image is filled by dragging less or more. Paint Bucket contextual menu: Control – click or right mouse button click anywhere on an image and the Paint Bucket contextual menu will appear.
You can use the contextual menu to quickly set the blending mode for Paint Bucket. Temporarily switch to Eyedropper: You may want to temporarily switch to Eyedropper in order to to choose color for Paint Bucket quickly. To do that, simply press the Option key on your keyboard when Paint Bucket tool is selected. The Option key will also allow a switch to Eyedropper if Pencil, Brush, or Gradient tools are selected.
You can also use the Fill command to fill layers or selections. The Fill command is described later in this chapter. Gradient Tool Use the Gradient Tool to fill an entire layer or selection with multiple colors that have a gradual blend between them. Fill with the Gradient Tool To fill with the Gradient tool: 1.
Select the Gradient tool G. Pick a gradient preset in the Gradients palette or create your own. For more information about how to create your own, see Manage Gradient Presets later in this chapter. Position the pointer on an image where you want to set a starting point and click to set the starting point of the gradient.
Tip: The Gradient tool icon in the Tools palette always shows which gradient preset is currently selected in the Gradients Palette. Manage Gradient Presets You add, remove and edit gradients and gradient presets using the Gradient Palette in Pixelmator. Gradient palette keeps gradient presets that you use often. Color Stops represent your color settings along a spectrum that you create.
A gradient will always have at least 2 colors. You can vary your gradient by adding or removing stops, adjusting their position, and setting the color of each:. Click the plus button in the Gradients palette or right mouse buton click on a Gradients palette and choose New Gradient. A Gradient Editor sheet appears. Gradient type: this is where you select the gradient type. Click any of the color stops to fine tune its color with the Apple Color palette or set the opacity level.
Click OK to save your new gradient. Edit Gradient To edit a gradient that is in the Gradients palette, do one of the following:. Choose Edit Gradient The way in which your gradient is displayed in the well will depend on the gradient type selected. To remove a gradient from the Gradients palette: Move your mouse pointer over the gradient you would like to remove and control-click it or right mouse button click and choose Remove Gradient from the gradient contextual menu.
Use the Fill command in Pixelmator to fill the inside of a selection or layer with a color or Stroke command to paint a colored border around a selection or layer.
In the Fill palette, choose the color you would like to fill with. By default it will use the foreground color. The command will use the currently selected foreground color and recently used Fill settings to fill.
Click OK to apply the fill. Paint Bucket: Use the Paint Bucket tool to fill the similarly colored area in your image by clicking and dragging. As you drag, the filled area grows to include the contiguous area that uses similar colors. In the Stroke palette that appears, choose the color you would like to stroke with. It will use the foreground color by default.
Specify whether to place the border inside, outside or centered over the selection or layer boundaries. Specify opacity and blending mode. Check the preserve transparency checkbox to stroke only those areas containing pixels. Click OK to apply the stroke. It is useful for duplicating objects or removing defects in images. To paint with the Clone Stamp tool: 1.
Select Clone Stamp tool S in the Tools palette. Choose Brush preset from the Brushes palette. Move your mouse pointer over an image area and click to define the clone source. To change the clone source point, press the Option key and click another area you would like to set as the clone source. To set an other percentage of opacity, adjust the opacity slider in the Pencil or Brush Tool Options palette.
Check the Sample All Layers checkbox in the Tool Options palette to include all layers as a clone source. Otherwise it will paint with the currently selected layer as the only source.
Blur Tool Use the Blur tool to blur image areas. To use the Blur tool: 1. Select Blur tool R in the Tools palette. Select blur strength in the Tool Options palette. Drag over the part of the image to blur. Sharpen Tool Use the Sharpen tool to sharpen soft image areas. To use the Sharpen tool: 1. Select Sharpen tool O in the Tools palette.
Select sharpen strength in the Tool Options palette. Drag over the part of the image to sharpen. Magic Eraser Tool Use the Magic Eraser tool to remove certain colors in an image until it is transparent. It is useful for removing unwanted background or other colors.
It is also useful for exctracting objects that are photographed on a single color background. Tip: The same result as using Magic Eraser tool can be achieved by using the Magic Wand tool to select the area and deleting that selected area. However, using the Magic Eraser tool is much faster. To remove unwanted color in an image: 1.
Select the Magic Eraser Tool or press E twice on your keyboard. A single press will bring up the Eraser while pressing again will cause a switch between Eraser and Magic Eraser tools. Click the color you want to make transparent and then slowly drag over it.
As you drag, the selection grows to include the contiguous area that uses similar colors. You can control how much of the image is deleted to transparency by dragging less or more. To remove areas that are less distinct, select a smaller area and repeat the process.
Chapter Brushes Brushes are the key to painting. Pixelmator features an impressive collection of brushes and gives you the ability to create your own brushes with advanced settings. In addition to sharing your brushes with other Pixelmator users, you can also import Adobe Photoshop brushes. This chapter provides information about brushes in Pixelmator.
Brush Presets A brush preset is a brush tip with size, shape, hardness and jitter settings. All the painting tools in Pixelmator use the brush presets for painting. You can create new, modify, save and share your brush presets. You manage your brush presets in the Brushes palette in Pixelmator.
Select a Brush Preset To select a brush preset:. Click on any of the brushes in Brushes palette to select it. Managing Brush Presets You can create, edit, duplicate and remove brush presets. Brush presets are stored in the Brushes palette. Brush preset settings can be modified in the Brush Editor sheet. Create New Brush Preset To create a new brush preset: 1. Modify brush preset settings see bellow for more information about the brush settings in the brush editor. Click OK to save your new brush.
Drag and drop the picture from your desktop that you want to use as a brush onto the Brushes palette or Brush editor sheet.
Double click the brush that appears in the Brushes palette to modify it. Drag and drop the layer from your Layers palette that you want to use as a brush onto the Brushes palette or Brush editor sheet. Double click the picture that appears in the Brushes palette to modify it. Edit Brush Preset To Edit a brush preset: 1.
Double-click a brush in the Brushes palette to make a brush editor to appear. Adjust the brush settings. For more information about the brush settings, see below. Duplicate Brush Preset To duplicate a brush preset: 1. Control-click or right mouse button click on a brush preset in the Brushes palette to make the brushes contextual menu appear. Choose Duplicate from the brushes contextual menu.
Remove Brush Preset To remove a brush preset: 1. Control-click or right mouse button click on a brush preset in Brushes palette to make the brushes contextual menu to appear. Choose Remove Brush from the brushes contextual menu. Brush Preset Settings Brush preset stores the shape, diameter, hardness, spacing, scatter, flow, follow angle, shape jitter, color jitter, graphics tablet sensitivity and control by mouse speed settings. However, since there are two types of brushes in Pixelmator such as simple brush and bitmap brush some settings such as angle jitter and follow direction are not available for simple brush while hardness is for simple brush only.
A list of brush preset settings: Shape Tip Settings Diameter. Keyboard Shortcuts for Diameter and Hardness Use keyboard shortcuts to change the diameter and hardness of brushes as well as navigate through brushes in the Brushes palette when painting. To change the diameter when painting, press the [ or ] keys on your keyboard.
Control using Graphics Tablet and Mouse In Pixelmator you can control your brush diameter, scatter and flow settings with graphics tablet sensitivity or use mouse or tablet tracking speed. To control the minimum brush size by graphics tablet sensitivity or tracking speed: 1. Double-click the brush on which you would like to adjust the graphics tablet or tracking speed control to make Brush editor sheet appear.
In the Brush editor sheet, click on a diameter, scatter or flow value number to make the graphics tablet and tracking speed menu appear. Brush Sharing Sharing your brushes with other Pixelmator users is as simple as dragging and dropping brushes from the Pixelmator Brushes palette onto your desktop, and vice versa.
In addition to letting you load and save brush presets, Pixelmator also lets you import Adobe Photoshop brushes. Again, it is as simple as dragging and dropping. Export a Brush Preset To export a brush preset: 1. Select a brush in the Brushes palette. Click and drag the brush onto your desktop. A brush preset document is created on the desktop. Choose Import From File Importing a brush preset is the same whether you are importing Pixelmator-created or Photoshop-created brushes.
Chapter Opacity and Blending Modes Painting tools in Pixelmator offer you the ability to paint in different blending modes with any opacity setting. This chapter provides information about blending modes and opacity in Pixelmator. Opacity When painting with the brush or pencil tools in Pixelmator, you may want to modify the transparency of these tools so that they apply transparent color.
Adjust Opacity To adjust the transparency of your brush or pencil tool: 1. Select the tools from the Tools palette. About Blending Modes The blending mode specifies the way in which the painting tool brush strokes interact with the color of an image on which you are painting.
Blending modes with painting tools can be used to achieve special effects, to make photo improvements or to retouch photos. By default, the blending mode for painting tools is set to normal, which causes the brush strokes to paint traditionally over the image while other blending modes offer a wide variety of different interactions. Basic blending modes replace the base pixels, Darken ones darken interacting pixels, Lighten – lightens, Contrast modes increase or decrease the contrast of interacting pixels, Comperative – inverts color, and HSL modes apply a specific color component.
For more in-depth description of each blending mode, see the Blending Modes Overview section later in this chapter. Set a Blending Mode To set a blending mode for any of the painting tools: 1.
In the Tool Options palette, select any of the blending modes from the Blending pop-up menu. Blending Modes Overview A list of blending modes that can be used with painting tools or layers in Pixelmator:. In order to see the effect of the Dissolve blending mode, you will need to reduce the opacity in the Tool Options palette. Paints behind an image.
Best visible if image or layer you paint on is smaller than canvas size. Good for quickly making shadows. Similar to Darken mode. Paints by choosing the lowest pixel values to create the resulting color.
Paints by lightening or darkening the image, depending on the brightness of the brush color. Contrast is also increased. Paints by creating a highly saturated result that is similar to Color Burn mode, but is not as dark. Paints by applying the saturation of brush to the image while retaining the hue and luminance of the image. Paints by applying the brightness of brush colors to the image while retaining the hue and saturation of the image.
Pixelmator is a layer-based image editor. Layers are the building blocks of your composition. You can create layers from your photos, pictures, from selections, iSight or even from scratch. Chapter Chapter About Layers Pixelmator is a powerful layers-based image editor. This chapter provides a basic introduction to layers.
Introduction to Layers Pixelmator is a layers-based image editor, and if you would like to make the most of its power, it is essential to understand the concept of layers and how they work.